Tag Archives: Joe Giella

A month of Batman moments – Day 21

Detective Comics #331

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15 surreal Batman covers

If there is one thing comic books excel at is producing WTF covers. Even by the standards of the medium, however, Batman has provided more than his fair share of utter weirdness, especially during the Silver Age. It’s a part … Continue reading

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Yet another long post about Batman’s humorous villains

Gotham Calling’s 400th post! This is the kind of benchmark I usually celebrate by spotlighting oddball members of Batman’s rogues gallery who don’t get enough love. While the Dark Knight has some of the most popular rogues out there, Gotham’s … Continue reading

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COMICS CAN BE AWESOME (28 December 2020)

At the end of such a shitty year, it may not be a great consolation, but 2020’s final weekly reminder that comics can be awesome is a tribute to Batman’s frequent encounters with giant hands:

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COMICS CAN BE AWESOME (21 September 2020)

Your panic-stricken reminder that comics can be awesome…

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COMICS CAN BE AWESOME (11 May 2020)

Batman + gorillas = today’s reminder that comics can be awesome.

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On the periphery of Batman’s rogues’ gallery

This is Gotham Calling’s 300th post! I usually take these occasions to celebrate the richness and weirdness of Batman’s extensive rogues’ gallery, which includes all sorts of odd criminals, ranging from iconic characters like the Joker and the Penguin all … Continue reading

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On giant cash registers

To celebrate eighty years of stories featuring the Caped Crusader, each day of this week I’ll be highlighting something I find especially neat about Batman comics.  Today, let’s look at over-the-top action scenes set among giant props. Batman #185 Batman … Continue reading

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My ideal deluxe omnibus volume – part 1

A couple of months ago, I listed a bunch of comics I assume every Batman fan will come across, sooner or later. With that out of the way, let us move on to some of my personal favorites – i.e. … Continue reading

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Remaking The Case of the Chemical Syndicate

As far as remakes go, I’m of the school of leave-good-works-alone-and-remake-the-bad-ones-instead. To use John Carpenter’s oeuvre as an example (as I often do), I can understand the financial urge to bank on title recognition, but artistically I see no point … Continue reading

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