Tag Archives: Neal Adams

Non-Batman gothic comics – part 1

If you’re into Batman comics, it’s not a far cry to assume you enjoy gothic horror. After all, that’s a built-in feature of the Dark Knight. It’s been there right from the start… Detective Comics #33 As Mark Fisher (citing … Continue reading

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Spotlight on Mike Grell’s Green Arrow

Every once in a while, I like to shift gears and talk about comics set outside Gotham City that Batman fans should nevertheless enjoy because their genres (crime, superhero, fantastic adventure) are close to the mood of the Dark Knight. … Continue reading

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Batman comics and World War II

          Although nowadays movies set in World War II have become mostly synonymous with tearjerker melodramas or grim military epics, this wasn’t always the case. The gravitas of that conflict and the overwhelming consensus about who the heroes and villains … Continue reading

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Neal Adams’ gothic Batman

Voted number one Batman artist by last year’s Comics Should Be Good poll, Neal Adams is God’s (or Satan’s, if you prefer) gift to fans who like their Batman stories devilishly creepy, diabolically vibrant, and moody as hell. Adams’ quintessential … Continue reading

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Spotlight on Batman: The Animated Series – part 1

A couple of months ago I recommended films for fans of Batman comics, so I figured this time I’d suggest some TV shows. Once again, I tried to think of different types of connections, including shows with resourceful, anti-gun action … Continue reading

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Frank Robbins’ oddball Batman

The 1970s were a great time for the Caped Crusader, even if, looking back, we did miss out on the chance to see Batman with a turtleneck or Catwoman with an afro (problem solved). After the kitsch of the ’60s … Continue reading

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Denny O’Neil’s pulpy Batman

Denny O’Neil has shaped modern Batman more than any other creator. And while he consciously sought to put the ‘dark’ in ‘Dark Knight,’ part of what makes his output so appealing is the fact that the ‘knight’ side is usually … Continue reading

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Mike W. Barr’s paradoxical Batman

Mike W. Barr’s Batman comics – particularly his work in the 1980s – tend to have a deeply recognizable authorial voice, for two very distinct reasons. On the one hand, you’d be hard-pressed to find a modern Batman writer able … Continue reading

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