1990s’ Batman comics reading guide – part 3

Vengeance of BaneVengeance of Bane

We’re back with another installment of the 1990s’ Batman comics reading guide! Sadly, in the meantime this feature has also become a tribute to the recently deceased group editor of these titles, Dennis O’Neil, whose vision was no doubt a key part of what made this era so great…

After a few years finding their feet, in 1993 the different strands of Batman comics finally converged into a sprawling crossover that clearly made them all part of the same saga: Knightfall (technically, ‘Knightfall’ is just the title of the crossover’s first stage – followed by ‘Knightquest’ and ‘KnightsEnd’but it has become common practice to use this label to refer to the whole thing). In this epic tale – masterfully edited not just by O’Neil, but also by Scott Peterson, Jordan B. Gorfinkel, and Darren Vincenzo – Batman (the character and, on a metafictional level, the intellectual property itself) finds himself exhausted and is temporarily replaced by an edgier version. The result is an essential read for fans of the Dark Knight.

Here is my suggested reading order:

batman

INTRODUCING THE PLAYERS [The final months of 1992 and the first months of 1993 were all about putting the domino pieces in their exact places. Special issues introduced new characters who would play a decisive role in Knightfall while the regular series established the mindset of Bruce Wayne, Tim Drake, Sarah Essen, Commissioner Gordon, and Mayor Krol going in. Moreover, DC’s new anthology, Showcase, joined the lineup, as each issue included one Batman-related feature.]

Sword of Azrael #1-4 (collected as Sword of Azrael) [Mini-series by Denny O’Neil and Joe Quesada introducing Jean Paul Valley (aka Azrael)]

Showcase ’93 #1-4: ‘Sorrow Street’

Showcase ’93 #5-6: ‘The Takedown/One Stone’ (collected in Robin, v3: Solo) [Picks up where the badass Catwoman yarn ‘Sorrow Street’ left off, now focusing on Robin. Batman is out of town, so I assume this takes place during Sword of Azrael.]

Batman #488: ‘Costumes’ (collected in Knightfall Omnibus, v1 and Prelude to Knightfall)

Shadow of the Bat Annual #1: ‘Joe Public’ (collected in Shadow of the Bat, v2) [Parallel to Knightfall, DC had a separate crossover event running through its 1993 annual issues, called Bloodlines. This means that, every once in a while, we’ll get a story about alien vampires giving super-powers to random citizens. This is the first one.]

Vengeance of Bane (collected in Knightfall, v1 (2012 edition), Knightfall Omnibus, v1, Batman Versus Bane, and Prelude to Knightfall) [One-shot by Chuck Dixon and Graham Nolan introducing Bane]

Detective Comics #654-656: ‘God of Battle/The Anvil of War/Besieged’ (collected in Knightfall Omnibus, v1 and Prelude to Knightfall)

Detective Comics #657-658: ‘Null and Void/Deciphered’ (collected in Knightfall Omnibus, v1 and Prelude to Knightfall)

Batman #489: ‘Killer’s Bane’(collected in Knightfall Omnibus, v1, Arkham: Killer Croc, and Prelude to Knightfall)

Batman #490: ‘Who Riddled the Riddler?’ (collected in Knightfall Omnibus, v1 and Prelude to Knightfall)

Batman #491: ‘The Freedom of Madness’ (collected in Knightfall, v1 (2012 edition), Knightfall Omnibus, v1, and Prelude to Knightfall) [Massive breakout at Arkham Asylum, which means that all sorts of rogues are loose in Gotham City at once. Chaos ensues!]

Batman          batman

BROKEN BAT [The Dark Knight gradually breaks down, mentally and physically, while chasing the various villains. Despite the storyline’s growing intensity – and unlike what Kelley Jones’ and Sam Kieth’s overblown covers may suggest – the interior art remains quite restrained, with Norm Breyfogle, Jim Balent, Jim Aparo, and Graham Nolan sticking to a relatively ‘grounded’ visual style. (All these comics have been collected in the various editions of Knightfall, v1 and Knightfall Omnibus, v1.)]

Batman #492: ‘Crossed Eyes and Dotted Teas’

Detective Comics #659: ‘Puppets’

Batman #493: ‘Redslash’

Detective Comics #660: ‘Crocodile Tears’ (collected in Arkham: Killer Croc)

Batman #494: ‘Night Terrors’

Detective Comics #661: ‘City on Fire’

Batman #495: ‘Strange Deadfellows’

Detective Comics #662: ‘Burning Questions’

Batman #496: ‘Die Laughing’

Detective Comics #663: ‘No Rest for the Wicked’

Batman #497: ‘The Broken Bat’ (collected in Batman: A Celebration of 75 Years and Tales from the DC Dark Multiverse)

Detective Comics #664: ‘Who Rules the Night’

Showcase ’93 #7-8: ‘Double Cross/Bad Judgement’

knightfall          batman

ENTER AZBABTS [With Bruce Wayne severely injured, Jean Paul Valley takes on the mantle of Batman… He gradually proceeds to make the Dark Knight more similar to Azrael (whose techno looks and brutal methods seem more in tune with the zeitgeist), creating the version of the character that the fan community would come to label ‘Azbats.’ This effectively becomes the new status quo, for a while.]

Batman #498: ‘Knights in Darkness’ (collected in Knightfall, v1 (2012 edition), Knightfall, v2 (2018 edition), and Knightfall Omnibus, v1)

Batman Annual #17: ‘Ballistic’

Shadow of the Bat #16-18: ‘God of Fear’ (collected in Knightfall, v1 (2012 edition), Knightfall, v2 (2018 edition), Knightfall Omnibus, v1, and Shadow of the Bat, v2)

Detective Comics #665: ‘Lightning Changes’ (collected in Knightfall, v1 (2012 edition), Knightfall, v2 (2018 edition), and Knightfall Omnibus, v1)

Batman #499: ‘The Venom Connection’ (collected in Knightfall, v1 (2012 edition), Knightfall, v2 (2018 edition), and Knightfall Omnibus, v1)

Catwoman (v2) #1: ‘Rough Diamonds’ (collected in Catwoman by Jim Balent, v1)

Catwoman (v2) #2: ‘Blast from the Past’ (collected in Catwoman by Jim Balent, v1) [Ends in a bit of a cliffhanger, but it makes sense to take a break here, since the events in the next issues take place after Batman #500.]

Detective Comics Annual #6: ‘Not Fade Away’

Detective Comics #666: ‘The Devil You Know’ (collected in Knightfall, v1 (2012 edition), Knightfall, v2 (2018 edition), and Knightfall Omnibus, v1)

Batman #500: ‘Dark Angel’ (collected in Knightfall, v1 (2012 edition), Knightfall, v2 (2018 edition), and Knightfall Omnibus, v1)

batman          batman

KNIGHTQUEST [After the climactic Batman #500, the saga broke into two parallel storylines. ‘Knightquest: The Search’ followed the injured Bruce Wayne’s travels abroad (in search for Tim Drake’s father and for Shondra Kinsolving). ‘Knightquest: The Crusade’ followed AzBats’ crimefighting exploits (and spiraling mental instability) in Gotham City. I think it makes sense to alternate between sizeable chunks of the two lines.

Moreover, in addition to an ongoing series focused on Catwoman (by Jo Duffy and Jim Balent), we got one about Robin (by Chuck Dixon and Tom Grummett), thus further increasing the franchise’s overall variety.]

Justice League Task Force #5-6: ‘The Search’ (collected in Knightfall Omnibus, v2 and Knightquest: The Search) [Picks up where Catwoman (v2) #2 left off]

Catwoman (v2) #3: ‘Shadow of the Cat’ (collected in Catwoman by Jim Balent, v1)

Catwoman (v2) #4: ‘Full Circle’ (collected in Catwoman by Jim Balent, v1)

Robin Annual #2: ‘Looking Sharp’ (collected in Robin, v3: Solo)

Showcase ’93 #9-10: ‘Survival/Armageddon’

Showcase ’93 #11-12: ‘Raptors/Partners’ (collected in Robin, v3: Solo)

Detective Comics #667-668: ‘Wild, Wild East/Runaway’ (collected in Knightfall, v2, Knightfall Omnibus, v2, and Knightquest: The Crusade, v1)

Robin (v4) #1-2: ‘Outcast/Busted!’ (collected in Robin, v3: Solo, Knightfall Omnibus, v2, and Knightquest: The Crusade, v1)

Batman #501-502: ‘Code Name: Mekros/Phoenix in Chaos’ (collected in Knightfall, v2, Knightfall Omnibus, v2, and Knightquest: The Crusade, v1)

Detective Comics #669: ‘Town Tamer’ (collected in Knightfall, v2, Knightfall Omnibus, v2, and Knightquest: The Crusade, v1)

Catwoman (v2) #5: ‘Nun Better’ (collected in Catwoman by Jim Balent, v1)

Detective Comics #670: ‘Cold Cases’ (collected in Knightfall, v2, Knightfall Omnibus, v2, and Knightquest: The Crusade, v1)

Robin (v4) #3-5: ‘Clueless/Breathless/Last Gasps’ (collected in Robin, v3: Solo)

Shadow of the Bat #19-20: ‘The Tally Man’ (collected in Knightfall, v2, Knightfall Omnibus, v2, Shadow of the Bat, v2, and Knightquest: The Crusade, v1)

Shadow of the Bat #21-23: ‘The Hood/A Day in the Death of an English Village/Curse of the Bat’ (collected in Knightfall Omnibus, v2, Shadow of the Bat, v2, and Knightquest: The Search)

Detective Comics #671-673: ‘The Cutting Room Floor/Smash Cut/Losing the Light’ (collected in Knightfall, v2, Knightfall Omnibus, v2, and Knightquest: The Crusade, v2)

Demon #40: ‘The Wild One’ (collected in The Demon, v1: Hell’s Hitman) [No connection to Batman other than the fact this is the debut of Garth Ennis’ and John McCrea’s work on Demon, which will eventually lead to Hitman. Their run continues two issues later, after a cool (yet unconnected) fill-in by Kevin Altieri.]

Demon Annual #2: ‘Hitman’ (collected in The Demon, v1: Hell’s Hitman and Hitman, v1: A Rage in Arkham) [The origin of Hitman’s lead, Tommy Monaghan, in another one of those awful Bloodlines crossovers.]

Legends of the Dark Knight Annual #3: ‘Transformation’

Catwoman (v2) #6: ‘Animal Rites’ (collected in Knightfall, v2, Knightfall Omnibus, v2, Catwoman by Jim Balent, v1, and Knightquest: The Crusade, v1)

Batman #503-504: ‘Night Becomes Woman/Dark Dance’ (collected in Knightfall, v2, Knightfall Omnibus, v2, and Knightquest: The Crusade, v1)

Catwoman (v2) #7: ‘Body Chemistry’ (collected in Catwoman by Jim Balent, v1)

Showcase ’94 #1-2: ‘The Great Pretender/King Joker’

Showcase ’94 #3-4: ‘Madmen Across The Water/What’s Your Twenty?/Banzai, Good Buddy’ [Besides the fun two-parter ‘Madmen Across the Water’ (collected in Tales of the Batman: Tim Sale) – about the captured rogues being sent to Blackgate Prison while Arkham Asylum is getting reconstructed – these issues include a rollicking adventure starring the Psyba-Rats, a team of techno-thieves introduced in Robin Annual #2.]

Chain Gang War #1-7: ‘Chain Reaction/The House of Correction/Weak Link/Cold Cuts/Reunion/Hangman/Jailbreak’ [This short-lived crime series (created by John Wagner and Dave Johnson) was set near Gotham City and had a few guest-appearances by AzBats.]

Shadow of the Bat #24: ‘The Immigrant: Rosemary’s Baby’ (collected in Knightfall Omnibus, v2, Shadow of the Bat, v2, and Knightquest: The Crusade, v2)

Batman #505: ‘Blood Kin’ (collected in Knightfall, v2, Knightfall Omnibus, v2, and Knightquest: The Crusade, v2)

Shadow of the Bat #25: ‘The Birth of a Hero’ (collected in Knightfall Omnibus, v2, Shadow of the Bat, v3, and Knightquest: The Crusade, v2)

Chain Gang War #7-12: ‘The Crooked Man/Meltdown’ [Set after AzBats’ latest upgrades, in Shadow of the Bat #25]

Batman/Punisher: ‘Lake of Fire’ (collected in DC/Marvel Crossover Classics, v2) [The rare intercompany crossover that genuinely seems to fit comfortably in the main continuity]

Showcase ’94 #5-6/Robin (v4) #6: ‘Benedictions’ (collected in Robin, v4: Turning Point)

Batman #506-507: ‘Malevolent Manaxe/Ballistic’ (collected in Knightfall, v2, Knightfall Omnibus, v2, and Knightquest: The Crusade, v2)

Showcase ’94 #7: ‘Cracks’ (collected in Knightfall Omnibus, v2 and Knightquest: The Crusade, v2)

Shadow of the Bat #26-27: ‘Creatures of Clay’ (collected in Knightfall Omnibus, v2, Shadow of the Bat, v3, and Knightquest: The Crusade, v2)

Outsiders(v2) #7-9: ‘Friendly Fire/Shadows of Knight/Breakout’

Detective Comics #674: ‘Out-Gunned’ (collected in Knightfall, v2, Knightfall Omnibus, v2, and Knightquest: The Crusade, v2)

Batman #508: ‘Mortal Remains’ (collected in Knightfall, v2, Knightfall Omnibus, v2, and Knightquest: The Crusade, v2)

Shadow of the Bat #28: ‘The Long, Dark Night’ (collected in Knightfall, v2, Knightfall Omnibus, v2, Shadow of the Bat, v3, and Knightquest: The Crusade, v2)

Detective Comics #675: ‘Midnight Duel’ (collected in Knightfall, v2, Knightfall Omnibus, v2, and Knightquest: The Crusade, v2)

Legends of the Dark Knight #59-61: ‘Quarry’ (collected in Knightfall Omnibus, v2 and Knightquest: The Search)

Robin (v4) #7: ‘Turning Point’ (collected in Knightfall, v2, Knightfall Omnibus, v2, Robin, v4: Turning Point, and Knightquest: The Search)

Catwoman (v2) #8-9: ‘Zephyr/Happyland’ (collected in Catwoman by Jim Balent, v1)

catwoman          azrael

KNIGHTSEND [Mid-1994 saw a recovered Bruce Wayne trying to take back Batman’s title from Jean Paul Valley, who put up one hell of a fight. The meta-subtext was clearer than ever, pitting different conceptions of the Dark Knight against each other. (These issues are collected in Knightfall, v3, Knightfall Omnibus, v3, and KnightsEnd.)]

Batman #509: ‘Spirit of the Bat’

Shadow of the Bat #29: ‘Proving Ground’ (collected in Shadow of the Bat, v3)

Detective Comics #676: ‘Too Many Ninjas’

Legends of the Dark Knight #62: ‘Devils’

Robin (v4) #8: ‘Death’s Door’ (collected in Robin, v4: Turning Point)

Catwoman (v2) #10-12: ‘Falling Star/Tin Men/Fire in the Sky’ (collected in Catwoman by Jim Balent, v1)

Batman #510: ‘Return of the Bat’

Shadow of the Bat #30: ‘Wild City’ (collected in Shadow of the Bat, v3)

Detective Comics #677: ‘Flesh and Steel’

Legends of the Dark Knight #63: ‘Climax’

 

AFTERMATH [A few epilogues to the Knightfall saga.]

Robin (v4) #9: ‘The Triumph’ (collected in Knightfall, v3, Knightfall Omnibus, v3, Robin, v4: Turning Point, and KnightsEnd)

Catwoman (v2) #13: ‘Catfish’ (collected in Knightfall, v3, Knightfall Omnibus, v3, Catwoman by Jim Balent, v1, and KnightsEnd)

Batman: Mitefall [Alan Grant and Kevin O’Neill present Bat-Mite’s version of Knightfall, which is essentially a slapstick parody of the whole thing.]

The Punisher/Batman: ‘Deadly Knights’ (collected in DC/Marvel Crossover Classics, v2) [After having faced AzBats, the Punisher finally gets to meet the real Batman in a comic written by Chuck Dixon (an expert in both characters).]

Demon (v3) #42-45: ‘Hell’s Hitman’ (collected in The Demon, v1: Hell’s Hitman) [Readers who aren’t caught up on Demon may be a bit lost, but it’s worth noting that this story features not only Tommy Monaghan, but also Tweedledee, Tweedledum, and Gotham City’s own demon, Gothodaemon. The next issues, however, are mostly of interest for completists or Demon fans.]

Demon (v3) #46-48: ‘Haunted Glory’ (collected in The Demon, v1: Hell’s Hitman)

Demon (v3) #49: ‘From Hell’ (collected in The Demon, v1: Hell’s Hitman)

Demon (v3) #50: ‘The Shanty of Captain Scumm’ (collected in The Demon, v2: The Longest Day)

Demon (v3) #51: ‘Sons & Lovers’ (collected in The Demon, v2: The Longest Day)

batman          robin

ZERO HOUR [DC’s line-wide crossover Zero Hour: Crisis in Time! (about Hal Jordan’s attempts to remake the DCU) involved all sorts of merged timelines, so several characters crossed paths with alternate versions of themselves. (The issues involving the Batman family are collected in Batman: Zero Hour.)]

Batman #511: ‘The Night Before Zero’

Shadow of the Bat #31: ‘The Battling Butler!’ (collected in Shadow of the Bat, v3 and Batman Allies: Alfred Pennyworth)

Detective Comics #678: ‘Yesterdays Gone’

Robin (v4) #10: ‘Two Birds One Stone’ (collected in Robin, v4: Turning Point)

Catwoman (v2) #14: ‘Broken Mirrors’ (collected in Catwoman by Jim Balent, v2)

 

THE BEGINNING OF TOMORROW [Zero Hour served as a way to softly reboot specific aspects of DC continuity (it’s the kind of retconning event that inspired the classic Astro City short story ‘The Nearness of You’). This was then followed by a set of #0 issues in which characters recalled their (now revised) origins. One of the changes was that Batman was now considered an urban legend, thus revising the fact that he had shown up on television in Detective Comics #622 and #629.]

Showcase ’94 #8-9: ‘The Secret Origin of Scarface’

Demon (v3) #0: ‘Zero Hour’ (collected in The Demon, v2: The Longest Day)

Catwoman #0: ‘Cat Shadows’ (collected in Catwoman by Jim Balent, v2 and Batman: Zero Hour)

Catwoman Annual #2: ‘Catwoman: Year One’ (collected in Catwoman by Jim Balent, v2) [Although this issue only came out the following year, this seems like the logical place to read it, as it expands the new, less downbeat version of Catwoman’s origin (thus replacing Her Sister’s Keeper) while introducing the ridiculous-looking Hellhound, who will later show up in both Catwoman and Birds of Prey. There is also a cameo by Harvey Bullock, who looks closer to his present-day persona, thus cancelling out Legends of the Dark Knight #105-106.]

Showcase ’94 #10: ‘Aftermath’ (collected in Knightfall, v3, Knightfall Omnibus, v3, and KnightsEnd) [Yet another epilogue to Knightfall, focusing on Jean Paul Valley]

Batman #0: ‘Creature of the Night’ (collected in Batman: Zero Hour)

Shadow of the Bat #0: ‘The Beginning of Tomorrow’ (collected in Shadow of the Bat, v3 and Batman: Zero Hour)

Detective Comics #0: ‘Choice of Weapons’ (collected in Batman: Zero Hour)

Robin (v4) #0: ‘Brothers in Arms’ (collected in Prodigal, Robin, v4: Turning Point, and Batman: Zero Hour)

batman          prodigal

PRODIGAL [Before Bruce Wayne fully returned to his Batman persona, Dick Grayson took over for a bit, capturing the villains that were still on the loose. Not only is the plot continuity tight in these stories, but they also look super-slick, thanks to the artwork of Mike Gustovich, Bret Blevins, Lee Weeks, Phil Jimenez, Graham Nolan, Ron Wagner, and Mark Bright, beautifully colored by the great Adrienne Roy. (These issues are collected in Prodigal, Knightfall, v3, and Knightfall Omnibus, v3.)]

Batman #512: ‘Robin and Batman’ (collected in Arkham: Killer Croc)

Shadow of the Bat #32: ‘Prodigal – Part Two’ (collected Shadow of the Bat, v4)

Detective Comics #679: ‘The Vermin Factor’

Robin (v4) #11: ‘Two in Every Crowd’ (collected in Robin, v4: Turning Point)

Batman #513: ‘Double Deuce’

Shadow of the Bat #33: ‘Prodigal – Part Six’ (collected Shadow of the Bat, v4)

Detective Comics #680: ‘A Twice Told Tale’

Robin (v4) #12: ‘Bullies’ (collected in Robin, v4: Turning Point)

Batman #514: ‘One Night in the War Zone’

Shadow of the Bat #34: ‘Prodigal – Part Ten’ (collected Shadow of the Bat, v4)

Detective Comics #681: ‘Knight without Armor’

Robin (v4) #13: ‘Wings over Gotham’ (collected in Robin, v4: Turning Point)

 

TROIKA [Besides establishing the new status quo and creative teams, this small crossover served as a post-Cold War coda to Soviet villains Dark Rider and KGBeast (who henceforth became more of a minor villain, mostly serving time in Blackgate Prison). (These issues are collected in Troika and Knightfall Omnibus, v3.)]

Batman #515: ‘Dark Rider, Cold Warrior’ (collected in Batman by Doug Moench & Kelley Jones, v1) [Picks up right after Robin (v4) #13.]

Shadow of the Bat #35: ‘Troika – Part Two’ (collected in Shadow of the Bat, v4)

Detective Comics #682: ‘The Doomsday Clock’

Robin (v4) #14: ‘Big City Bomber’ (collected in Robin, v5: War of the Dragons)

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COMICS CAN BE AWESOME (15 June 2020)

Lately I’ve been using the COMICS CAN BE AWESOME section to spotlight nifty covers, mostly of old, Cold War-era series, from war/horror hybrids to pulpy fantasy anthologies (usually with the words ‘weird,’ ‘strange,’ and/or ‘mystery’ in the title)… I’m not the only one who loves these, though. This week,  let’s look at a set of modern pastiches that pay tribute to those Golden and Silver Age comic book covers in all their colorful, oddball glory.

bulletproof coffin disinterredmadman comicsstrange science fantasybig bang comics1963

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Dennis O’Neil (1939-2020)

One of the greatest figures in comics since the late 1960s, Dennis J. O’Neil (affectionately known as Denny), passed away two days ago. Although he dabbled in all sorts of genres, his specialty as a writer were brazenly pulpy, two-fisted adventures, often with a social consciousness and a twinkle in the eye. You can find these in his memorable runs starring Doc Savage, The Question, The Shadow, Daredevil, and Green Arrow, among countless other charismatic heroes (hell, he even worked on Indiana Jones comics!). His legacy lives on, not least in the form of cool creations like Lady Shiva and Talia al Ghul.

Above all, Denny O’Neill wrote and later edited many of my favorite Batman stories. If it wasn’t for his work, this blog would probably not exist.

 

batmanSuperman #236
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A couple of old-school detective novels

Because I also like books without pictures, this week let’s switch gears for a bit and look at a couple of very cool non-comics detective novels:

THE MASK OF DIMITRIOS

(Eric Ambler, 1939)

Mask of Dimitrios

“A Frenchman named Chamfort, who should have known better, once said that chance was a nickname for Providence.

It is one of those convenient, question-begging aphorisms coined to discredit the unpleasant truth that chance plays an important, if not predominant, part in human affairs. Yet it was not entirely inexcusable. Inevitably, chance does occasionally operate with a sort of fumbling coherence readily mistakable for the workings of a self-conscious Providence.

The story of Dimitrios Makropoulos is an example of this.”

In The Mask of Dimitrios (published in the United States as A Coffin for Dimtrios), we follow the saga of Charles Latimer, a British lecturer in political economy and writer of detective stories who becomes obsessed with tracing the past of the recently deceased master criminal Dimitrios Makropoulos, chasing leads across Europe on the eve of World War II. The result is, at first sight, a tale about detection, with Latimer belonging to the tradition of amateur sleuths who bite off more than they can chew… Yes, it’s the classic motif of the genre author who faces the fact that things are much murkier than what he writes about (combined with the trope of the innocent abroad). Before the end of the book, Latimer has lost his naiveté and gained closer knowledge of heists, conspiracy, assassination, prostitution rings, drug dealers, conning, and blackmail – not to mention international finance!

This is a proper crime novel (with a bit of globetrotting adventure and espionage thrown in), typically fascinated with shady nightclubs and the overall seediness of the underworld, whose workings are often explained in great detail. The 1944 Hollywood adaptation lost much of the edge (because of the film industry’s censorship), but the fact that it had Jean Negulesco as director, Arthur Edeson as cinematographer, and the Peter Lorre-Sydney Greenstreet duo in the cast meant that at least they got the noirish atmosphere just right (this team went on to collaborate on The Conspirators and Three Strangers).

That said, The Mask of Dimitrios is not a hardboiled read – instead, a lot of it involves cultured men having lengthy, sophisticated conversations; and the violence doesn’t usually merit close descriptions (except for the grisly climax), leaving us to fill in the blanks. Eric Ambler’s prose has a light touch, being prone to wit and the occasional lyrical bursts. It’s more intellectual than visceral, even if there are plenty of gripping passages. This is how the narration conveys Latimer’s thoughts early on, when the Turkish Colonel Haki shows him Dimitrios’ corpse:

“So many years. Europe in labor had through its pain seen for an instant a new glory, and then had collapsed to welter again in the agonies of war and fear. Governments had risen and fallen; men and women had worked, had starved, had made speeches, had fought, had been tortured, had died. Hope had come and gone, a fugitive in the scented bosom of illusion. Men had learned to sniff the heady dreamstuff of the soul and wait impassively while the lathes turned the guns for their destruction. And through those years, Dimitrios had lived and breathed and come to terms with his strange gods. He had been a dangerous man. Now, in the loneliness of death, beside the squalid pile of clothes that was his estate, he was pitiable.”

This balancing act between the mundane and the grand scale of things is Ambler’s trademark. It’s also present in the way the story unfolds, with Charles Latimer (and us) only achieving disjointed glimpses of a wider network of strings being pulled off-page, reflecting how petty our perceptions can be when framed against the insurmountable scale and impenetrability of global affairs. (Moreover, like John le Carré after him, Ambler conveyed reality’s complex interconnectedness by building an intricate fictional world across his spy novels, suggesting that there is always a bigger picture… so Latimer shows up as a key supporting player in The Intercom Conspiracy, just as Colonel Haki reappears in Journey into Fear and is mentioned in The Light of Day.)

One of the best analysis of Ambler’s work, Michael Denning’s Cover Stories: Narrative and Ideology in the British Spy Thriller, describes his authorial voice in the book: ‘This cynical, detached narrator with his sometimes labored ironies and occasionally pretentious historical meditations is a mark of the Ambler metaphysic, the meshing of the formal and the ideological point of view. This historian sets the tale of Dimitrios against a matter-of-fact narrative of European history since the Great War; but he also delights in the role of chance and contingency, and in the grotesque, indeed melodramatic, confusion of levels it causes.’

As you can see, The Mask of Dimitrios is a richly multilayered tapestry. It explores classic dichotomies such as chaos vs divine order, conventional values vs moral relativism, and reality vs fiction (or, as one character puts it, ‘the difference between the stupid vulgarities of the real life and the ideal existence of the imagination’). And yet, at the same time, the book is deeply rooted in its historical context: it’s ultimately a treatment on the interwar period, the life of crime of this one individual placed in relation to the larger processes taking place in geopolitics and economics. This point is nailed through an amazing moment in the novel’s final stretch, when Latimer tries to come to grips with everything he has learned about Dimitrios along the way:

“But it was useless to try to explain him in terms of Good and Evil. They were no more than baroque abstractions. Good Business and Bad Business were the elements of the new theology. Dimitrios was not evil. He was logical and consistent; as logical and consistent in the European jungle as the poison gas called Lewisite and the shattered bodies of children killed in the bombardment of an open town. The logic of Michaelangelo’s David, Beethoven’s quartets and Einstein’s physics had been replaced by that of the Stock Exchange Year Book and Hitler’s Mein Kampf.

THE WYCHERLY WOMAN

(Ross MacDonald, 1961)

Ross Macdonald

“Coming over the pass you can see the whole valley spread out below. On a clear morning, when it lies broad and colored under a white sky, with the mountains standing far back on either side, you can imagine it’s the promised land.

Maybe it is for a few. But for every air-conditioned ranchhouse with its swimming pool and private landing strip, there are dozens of tin-sided shacks and broken-down trailers where the lost tribes of the migrant workers live. And when you leave the irrigated areas you find yourself in gray desert where nobody lives at all. Only the oil derricks grow there, an abstract forest casting no shade. The steady pumps at their bases nod their heads like clockwork animals.”

A millionaire hires private investigator Lew Archer to find his missing daughter. Along the way, Archer finds blackmail, murder, and lurid family drama (we know from early on that we’re bound to get a Greek tragedy flavor because Archer’s client is called Homer). With their sardonic PI narrator, vivid descriptions of southern California, labyrinthine plots, and crackling dialogue, it’s tempting to label Ross MacDonald’s novels as Chandler-esque – not in the sense of a pale imitation or pastiche of Raymond Chandler’s writing, but as a proper successor, perfectly emulating the style of the Philip Marlowe series.

That said, while Ross MacDonald may not get too many points for originality, I think it’s a disservice to reduce his Lew Archer books to mere derivative fanfic. Not only did MacDonald master the art of the pithy internal monologue and the insightful turn of phrase (‘The night clerk looked at me the way night clerks were always looking at me, with dubiety tinged by the suspicion that the costumer might be right and I might be a costumer.’), he elevated it, refining the kind of believable characterization that suggests psychological depth and social awareness. Moreover, he was a chronicler of his own time, which means we get to see that type of gaze fall over an evolving American landscape…

“Boulder Beach College stood on the edge of the resort town that gave it its name, in a green belt between some housing tracts and the intractable sea. It was one of those sudden institutions of learning that had been springing up all over California to handle the products of the wartime population explosion. Its buildings were stone and glass, so geometric and so spanking new that they hadn’t begun to merge with the landscape. The palms and other plantings around them appeared artificial; they fluttered like ladies’ fans in the fresh breeze from the sea.

Even the young people sitting around on the grass or sauntering with their books from building to building, didn’t look indigenous to me. They looked like extras assembled on a set for a college musical with a peasant subplot.”

I admit this is comfort food for me. Overall, The Wycherly Woman doesn’t provide anything I can’t find elsewhere – the plot twists, the dodgy witnesses, the seedy joints, the rich men, the sad women, the broken dreams, the mistaken identities, the unexpected dead body halfway through, the shady secrets underneath the upper-class veneer, and that moment when the detective gets knocked out and the narration fades to black. There are plenty of surprises within the story, but the story itself is not surprising, staying comfortably within the bounds of the genre. Unlike what I told you about The Mask of Dimitrios, don’t expect any larger statement about metaphysics or geopolitics here, just a solid mystery yarn.

Yet this is my platonic ideal of that formula. The intrigue is tortuous, but the storytelling is crystal clear, even as it keeps throwing new lively characters and revelations at the reader, one after the other. And on top of the fun of putting the various puzzle pieces together in your head while trying to keep up with Lew Archer’s investigation, the world-weary prose is pure delight (‘I watched her the way you watch an old late movie that you’ve seen before.’). In particular, although some of the cast can be quite melancholic and things get pretty dark at times, the dialogue is constantly snappy, oozing with wit and subtext.

Seriously, I just can’t get enough of conversations like this one:

““I’m Miss Smith.”

“Not married?”

“No. Are you?”

“I was at one time. It didn’t take.”

“I know the problem,” she said. “I’ve lived with it. Call it living. What do you do for a living?”

“I sort of live off the country.”

”I don’t get it. What do you really do? No, wait, let me guess. I’m good at guessing people’s occupations.” She sounded like a bored child looking for a game to play.

“Go ahead and guess.”

Her gaze slipped down from my face to my shoulders, as if she was looking for a place to cry on. Tentatively, her hand came out and palped my left bicep. She had pretty hands, except for the tips of her fingers, which had been bitten.

“Are you a professional athlete? You seem to be in very good trim, for a middle-aged man.”

It was a mixed compliment.

“Wrong. I’ll give you two more guesses.”

“What do I win if I guess right?”

“I’ll carve you a plaque.”

“Oh, fine. I need one for my grave.””

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COMICS CAN BE AWESOME (8 June 2020)

One of the reasons this section of the blog went weekly a couple of months ago was as a way to encourage those who could to stay at home in order to help contain the covid-19 pandemic. Now is the time get out again – not to consume, but to protest and demand.

I will continue to post about comics and assorted areas of pop culture for the foreseeable future. Those works can serve as a relaxing distraction, as an emotional catharsis, or even as a gateway to explore and express contradictory ideas about all sorts of issues (this is particularly true with regard to superhero stories). However, like with the folks at one of my favorite podcasts, it is the position of Gotham Calling that supporting escapist entertainment doesn’t preclude actively engaging with the world beyond it, especially when it comes to battling racism and police brutality (two core themes of genre fiction, for better or worse).

With that in mind, at a time of general health, social, political, and economic crisis (including the threat of collapse of much of the comic book industry and distribution system), here is a reminder that comics can be awesome…

Tales to AstonishStar Spangled War StoriesStrange TalesTales of SuspenseStrange Adventures

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1990s’ Batman comics reading guide – part 2

BatmanBatman #440

As promised a couple of weeks ago, here is the second installment of my recommended reading order for the various Gotham City-based comics of the 1990s, which tended to play particularly well off each other.

What follows is not a comprehensive list of all the Batman-related material from this period, but an attempt to map the core narrative into a satisfying sequence that enables new readers to navigate this era’s intricate tapestry. I left out some specials that don’t quite fit in as well as the Adventures line and Elseworlds tales, because those are clearly set in alternate continuities and can therefore be read independently of the main series. I also left out the Gotham cast’s appearances in other DC superhero titles, because I had to draw the line somewhere.

In any case, you certainly don’t have to go through the whole thing – or even most of it! – to understand each individual comic. It’s just that, even if you skip large chunks of this, you’re bound to appreciate the larger saga more fully by at least following the general order.

batman          batman

TIM DRAKE’S PROBATION (1990-1991) [This era is still quite scattered in terms of talent and continuity, but you can see things gradually taking shape. If the late ‘80s was the dark era when Robin (traditionally one of the most colorful aspects of Batman’s world) was brutally murdered, in the early ‘90s we gradually enter a new phase, with the main through-line being Batman’s hesitant partnership with a young, well-adjusted Tim Drake who eventually becomes the third Robin (thus restoring some of the series’ lighthearted tone). The bulk of it was done by either the duo of Marv Wolfman & Jim Aparo or the duo of Alan Grant & Norm Breyfogle, with the latter’s work being substantially more exciting. This phase also includes Peter Milligan’s first handful of cult-worthy contributions to the franchise.]

 

Batman #436-439: ‘Batman: Year 3’ (collected in The Caped Crusader, v2 and Tales of the Batman: Marv Wolfman, v1) [Alternates between flashbacks of Dick Grayson’s origin and the present time. Includes a small Tim Drake cameo.]

Batman #440-442/The New Titans #60-61: ‘A Lonely Place of Dying’ (collected in A Lonely Place of Dying and A Death in the Family (2009 edition)) [Properly introduces Tim Drake.]

Batman #443: ‘The Coming of Crimesmith’ (collected in The Caped Crusader, v2)

Batman #444: ‘Crimesmith and Punishment’ (collected in The Caped Crusader, v2)

Batman #445-447: ‘When the Earth Dies’ (collected in The Caped Crusader, v3) [Sequel to ‘Ten Nights of the Beast’ (#417-420).]

Detective Comics #612: ‘Cats’ (collected in Legends of the Dark Knight: Norm Breyfogle, v2)

Detective Comics #613: ‘Trashed’ (collected in Legends of the Dark Knight: Norm Breyfogle, v2)

Detective Comics #614: ‘Street Demonz’ (collected in Legends of the Dark Knight: Norm Breyfogle, v2)

Batman #448-449/Detective Comics #615: ‘The Penguin Affair’ (collected in The Caped Crusader, v3) [Harold Allnut, first seen in The Question #33, arrives in Gotham City.]

Detective Comics #616: ‘Stone Killer’ (collected in Legends of the Dark Knight: Norm Breyfogle, v2) [Batman suspects the Joker – whom he last saw in ‘A Death in the Family’ (Batman #426-429) – is still alive.]

Batman #450: ‘Wildcard’ (collected in The Caped Crusader, v3) [The Joker returns.]

Detective Comics #617: ‘A Clash of Symbols’ (collected in Legends of the Dark Knight: Norm Breyfogle, v2)

Batman #451: ‘Judgements’ (collected in The Caped Crusader, v3)

Batman #452-454: ‘Dark Knight, Dark City’ (collected in Dark Knight, Dark City and The Caped Crusader, v3)

Bride of the Demon (collected in Batman: Birth of the Demon) [Mike Barr followed Son of the Demon with another Ra’s al Ghul epic, this one firmly set during Tim Drake’s probation era.]

World’s Finest #1-3 (collected as World’s Finest) [In this beautiful mini-series by Dave Gibbons and Steve Rude, the Joker is definitely back.]

Detective Comics #618-621: ‘Rite of Passage’ (collected in Robin: Tragedy and Triumph, Legends of the Dark Knight: Norm Breyfogle, v2, and Robin, v1: Reborn)

Batman #455-457: ‘Identity Crisis’ (collected in Robin: A Hero Reborn, Legends of the Dark Knight: Norm Breyfogle, v2, and Robin, v1: Reborn) [Alan Grant and Norm Breyfogle transition from Detective Comics to Batman, picking up where the ‘Rite of Passage’ arc left off. It finishes with Tim Drake donning the Robin suit. (Tim will be training abroad for the next months, hence his absence from Batman’s adventures.)]

Detective Comics #622-624: ‘Dark Genesis/Death of Innocence/Bitter Victory’ [This fill-in arc by John Ostrander, Flint Henry, and Mike McKone is definitely worth tracking down, but it doesn’t relate to the main saga and it doesn’t necessarily have to be read here.]

Detective Comics #625: ‘Abattoir’ [Marv Wolfman and Jim Aparo transition from Batman to Detective Comics, effectively switching the titles’ creative teams. This tale is set during the campaign for a mayoral election in Gotham City.]

Batman #458: ‘Night Monsters’ (collected in Legends of the Dark Knight: Norm Breyfogle, v2) [Sergeant Sarah Essen, from ‘Batman: Year One,’ returns to Gotham. Plus, Harold moves into the Batcave.]

Batman #459: ‘Saturday Night at the Movies’ (collected in Legends of the Dark Knight: Norm Breyfogle, v2) [Commissioner Gordon has a heart attack.]

Detective Comics #626: ‘Return to the Electrocutioner’

Detective Comics #627: ‘The Case of the Chemical Syndicate’ [Various versions of Batman’s first published adventure, as discussed here. The version by Wolfman and Aparo is the best fit for this continuity – in the one by Grant and Breyfogle, Commissioner Gordon is not hospitalized.]

Batman #460-461: ‘Sisters in Arms’

Detective Comics #628: ‘Hearts’

Detective Comics #629: ‘The Hungry Grass’ (collected in Dark Knight, Dark City) [Peter Milligan becomes Detective Comics’ regular writer. Hooray!]

Detective Comics #630: ‘And the Executioner Wore Stiletto Heels’ (collected in Dark Knight, Dark City)

Detective Comics #631-632: ‘The Golem of Gotham’ (collected in Dark Knight, Dark City)

Catwoman: Defiant [This graphic novel doesn’t have to come here, necessarily, but since it’s written by Milligan you may as well read it together with the rest of his run.]

Batman #462-464: ‘Spirit of the Beast’

batman          robin

THE THIRD ROBIN’S DEBUT (1991-1992) [As much as I love Batman’s solo stories, the overall mood really picked up once we got a regular Robin again, with this new Dynamic Duo making for a particularly engaging team (or perhaps it was the general sense of post-Cold War optimism, as if a burden had just been lifted…). Hell, there is even a case to be made (on some other post) that Tim Drake was the true star of the franchise throughout the ‘90s, not only because he provided the heart of most stories, but also because – unlike Batman – we got to see him grow and evolve.]

Robin #1-5 (collected in Robin: A Hero Reborn and Robin, v1: Reborn) [The first mini-series starring Robin (by Chuck Dixon and Tom Lyle) picks up immediately after Batman #457 and follows Tim Drake’s training abroad.]

Batman #465: ‘Debut’ (collected in Robin, v2: Triumphant) [Following his return to Gotham City in Robin #5, Tim Drake makes his official debut as the Dark Knight’s costumed partner.]

Batman #466: ‘No More Heroes’

Detective Comics #633: ‘Identity Crisis’ (collected in Dark Knight, Dark City and Batman: A Celebration of 75 Years)

Batman #467-469: ‘Shadow Box’ (collected in Robin, v2: Triumphant) [Dixon and Lyle provide a sequel to the first Robin mini-series.]

Detective Comics #634: ‘The Third Man’ [Fill-in by Kelly Puckett and Luke McDonnell, with no connection to the main saga. Puckett’s humorous mystery – in which Batman meets the Biddee sisters, a couple of elderly amateur detectives – must have left a good impression, because he was then hired to be the main writer of The Batman Adventures (where the sisters had a cameo).]

Detective Comics #635-637: ‘Mind Games/Mind Control/Control Freak’ [Guest-creative team: Louise Simonson and Jim Fern]

Batman #470: ‘Of Gods and Men’ [Part of the larger DC crossover War of the Gods]

Batman Annual #15: ‘The Last Batman Story’ [Part of the larger DC crossover Armageddon 2001, whose story about a superhuman who could see possible futures served as a pretext to imagine alternative endings for Batman’s saga]

Detective Comics Annual #4: ‘Succession’ [Also part of Armageddon 2001, an epic tale by Louise Simonson and Tom Grindberg]

Detective Comics #638: ‘The Bomb’

Batman #471: ‘Requiem for a Killer’ (collected in Arkham: Killer Croc)

Batman #472-473/Detective Comics #639-640: ‘The Idiot’

Robin II: The Joker’s Wild! #1-4 (collected in Robin: Tragedy and Triumph and Robin, v2: Triumphant) [Tim Drake’s first confrontation with the Joker takes place during ‘The Idiot,’ while Batman is away in Brazil.]

Batman #474/Legends of the Dark Knight #27/Detective Comics #641: ‘The Destroyer’ [Gotham City’s architecture is reconfigured – within the story! – to match Anton Furst’s designs for Tim Burton’s Batman movie.]

Batman #475-476/Detective Comics #642: ‘The Return of Scarface’

Detective Comics #643: ‘The Library of Souls’

Batman #477-478: ‘A Gotham Tale’ [This fill-in by 2000 AD alumni John Wagner and Cam Kennedy has no relation to the main saga, but it is one of the decade’s great gothic comics.]

Batman #479: ‘Pagan’

Batman #480: ‘To the Father I Never Knew’

gotham city          Deathstroke

LOOSE STORIES [A handful of specials and related comics that don’t have to be read in any particular order, but which take place around this time…]

Gotham Nights #1-4

Batman: Seduction of the Gun

Batman/Green Arrow: The Poison Tomorrow

Legends of the Dark Knight Annual #1: ‘Duel’

Batman: Two-Face Strikes Twice! #1-2 [Half of this story is a flashback featuring the original Dynamic Duo (back when Dick Grayson was the Boy Wonder) and done in the style of a Golden Age pastiche, but the other half is a modern-day adventure set early in Tim Drake’s career as Robin.]

Deathstroke, the Terminator #6-9: ‘City of Assassins’ (collected in Deathstroke, the Terminator, v1: Assassins) [A Gotham-set arc (written by Marv Wolfmam) in which the titular mercenary fights the Dark Knight]

Detective Comics Annual #5: ‘Acts of Madness’ [Like the two annuals below, this issue is part of the larger DC crossover Eclipso: The Darkness Within]

Robin Annual #1: ‘The Anarky Ultimatum’ (collected in Robin, v3: Solo)

Batman Annual #6: ‘By Darkness Possessed’

The Question Quarterly #1-5 [If, like me, you believe Dennis O’Neil’s and Denys Cowan’s stint on The Question feels like a close relative of the Batman family of books, you may as well read these quarterly issues from the early ’90s, which wrap up their run. Meanwhile, Green Arrow Annual #3 (written by O’Neil) bridges the gap in the story between the early series and this new format. Fans can then follow the Question’s further adventures in 1991-1992’s mini-series The Brave and the Bold (written by Mike Grell and Mike Baron).]

Ragman (v2) #1-8 [It is also worth noting that Keith Giffen’s and Pat Broderick’s remarkable reboot of the titular Jewish superhero (published in 1991-1992) is set in Gotham, with the obligatory Batman guest-appearances. It was followed by Elaine Lee’s and Gabriel Morrissette’s mini-series Ragman: Cry of the Dead, which shifted the action to New Orleans. Batman and Ragman then teamed up in Legends of the Dark Knight #51.]

Demon (v3) #1-39 + Annual #1 [Even though the core narrative (not to mention its surreal fantasy/comedy tone) of Alan Grant’s and Val Semeiks’s run on Demon has little to do with the Batman family of books, I should point out that this series is largely set in Gotham and it occasionally features appearances by the Caped Crusader and his supporting cast. By and large, the series can be read independently, although bear in mind that the delirious arc ‘Apocolypse Now!’ (#9-15) brings back the ancient reptilian being C’th, from Detective Comics #616. The following arc, ‘The Region Beyond’ (#16-20), ties into the War of the Gods crossover. Annual #1 (set after issue #25) ties into the Eclipso: The Darkness Within crossover. Issue #22 (‘Witch War’) and the satirical arc ‘Political Asylum!’ (#26-29) are fill-ins written by Matt Wagner and Dwayne McDuffie, respectively. The final ten issues (when the series goes completely off the rails into goofy slapstick) are illustrated by Rich Hedden.]

ragman          batman

PRE-KNIGHTFALL ERA (late 1992) [This is when the franchise hit a particular groove (which it kept for most of the decade), with Doug Moench writing Batman, Chuck Dixon on Detective Comics, and Alan Grant on Shadow of the Bat. Although they were still telling separate stories, these comics deliberately set the stage for the upcoming Knightfall crossover.]

 

Batman #481-482: ‘Messenger of Zeus/Vengeance of the Harpy’ [Introduces the physiotherapist Shonra Kinsolving, who will play an important role in Knightfall.]

Detective Comics #644-646: ‘Electric City’

Detective Comics #647-649: ‘Inquiring Minds/Let the Puzzlement Fit the Crime/Malled’ [This arc – which among other things introduces the despicable mayoral candidate Armand Krol – is one of my all-time favorite Batman adventures.]

Detective Comics #650: ‘The Dragon’

Shadow of the Bat #1-4: ‘The Last Arkham’ (collected in The Last Arkham, Shadow of the Bat, v1, and Arkham: Victor Zsasz) [Introduces Jeremiah Arkham, who redesigns and reorganizes Arkham Asylum.]

Batman #483: ‘Crash & Burn: A Love Story’

Detective Comics #651: ‘A Bullet for Bullock’

Detective Comics #652-653: ‘Beyond the Law!/The Serpent Pit’ [Helena Bertinelli (aka the Huntress) moves to Gotham City.]

Shadow of the Bat #5: ‘The Black Spider’ (collected in Shadow of the Bat, v1)

Shadow of the Bat #6: ‘The Ugly American’ (collected in Shadow of the Bat, v1)

Batman #484-485: ‘Warpaint/Faces of Death’ (collected in Knightfall Omnibus, v1 (2017 edition), Prelude to Knightfall, and Arkham: Black Mask)

Legends of the Dark Knight Annual #2: ‘Vows’ [Heavily set against the background of the upcoming Gotham election.]

Batman #486-487: ‘Heavy Metalhead/Box of Blood’ (collected in Knightfall Omnibus, v1 (2017 edition) and Prelude to Knightfall) [Batman shows the first clear signs of burn-out.]

Shadow of the Bat #7-9: ‘The Misfits’ (collected in Shadow of the Bat, v1) [Armand Krol is now Gotham’s mayor.]

Robin III: Cry of the Huntress #1-6 (collected in Robin, v2: Triumphant)

Shadow of the Bat #10: ‘The Thane of Gotham’ (collected in Shadow of the Bat, v1)

Shadow of the Bat #11-12: ‘The Human Flea’ (collected in Shadow of the Bat, v1)

Shadow of the Bat #13: ‘The Nobody’ (collected in Shadow of the Bat, v2)

Shadow of the Bat #14-15: ‘Freaks’(collected in Shadow of the Bat, v2)

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COMICS CAN BE AWESOME (1 June 2020)

Among the outrage and chaos, your heart-pumping reminder that comics can be awesome:

CreepyJourney into Unknown WorldsDoc SavageRocketeer Cargo of DoomWeird Fantasy

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Two-fisted fantasy comics

Black Hawk Intergalactic Gladiator Savage Tales Archer and Armstrong

Lately I’ve been writing mostly about sci-fi for this section of the blog, so I think it’s time to shift our attention to another great adventure genre: fantasy. Fantasy is one of those umbrella genres that covers a massive spectrum of stories, from kid-friendly escapades to highbrow magic realism. Since it can essentially be applied to all sorts of narratives where the physically impossible occurs, fantasy also easily lends itself to expansion and hybridization with other genres, especially with those that revolve around generous leaps of imagination, like supernatural horror and science fiction set in the far-off future or other planets.

One of my favorite types involves fantasy’s crossbreeding with two-fisted adventure, creating counterintuitive settings and rules and then unleashing chaos upon them. If you share my passion, here are some comics for you:

 

SAVAGE TALES

(the original series)

Savage Tales #4Savage Tales #4Savage Tales #4

Savage Tales was originally an anthology published by Marvel in the ‘70s packed with over-the-top violence involving monstrous creatures, voluptuous women, and scantily-clad, ultra-muscled anti-heroes. Published in black & white, with more adult-oriented material (i.e. gore and nudity) than Marvel’s regular titles, it was part of the company’s effort to circumvent censorship by putting out magazines whose format was technically not covered by the Comics Code Authority (following the lead of Warren’s horror mags Eerie and Creepy). The first issue came out in May 1971, but clearly the publisher wasn’t yet ready to commit to something this bold – it took a hiatus of over two years (including a change in management and a sword & sorcery boom) before Savage Tales resumed publication, with the second issue coming out in October 1973 and then carrying on with a bimonthly schedule until July 1975. The eleven issues that did come out, though, are a great entry point into the fantasy subgenre I mentioned. Directly inspired by the writings of Robert E. Howard, in this comic you’ll find the pure version of all the classic tropes (the ones Terry Pratchett later spoofed in Sourcery, here played dead straight).

The most acclaimed strip of the series, Roy Thomas’ Conan the Barbarian, is pretty much my platonic ideal of what a sword & sorcery comic looks like. These adaptations of Howard’s ‘The Frost Giant’s Daughter,’ ‘Red Nails,’ and ‘The Dark Man’ – plus a couple of original tales – follow the famous warrior of the Hyborian Age (a fictional era before the beginning of recorded ancient history) as he slaughters giants, saves a gorgeous woman from ritual sacrifice, battles a powerful wizard, and temporarily becomes the sex slave of a capricious queen. Conjuring the feel of half-remembered legends, complete with puzzling mythologies and uncomfortably distant moral standards (especially when it comes to sexual politics), these vicious yarns do not shy away from the notion that Conan is a cunning, instinct-driven pile of condensed testosterone. Besides the protagonist’s panther-like characterization (to use the narrator’s favorite description), a big part of the appeal is the setting itself – not just Barry Windsor-Smith’s, Gil Kane’s, and Jim Starlin’s staggering renditions of the majestic Nordic landscapes, detailed garments, and faux-period architecture, but also the nonchalant way Thomas’ poetic narration and dialogue bring up odd tribes and religions without properly introducing them to readers (which, ironically, makes us feel more complicit with this world, as if it’s a given that we share these references).

Also worthy of note, there were a few cool stories starring the similar Brak the Barbarian, including one scripted by the hero’s original creator, John Jakes, and a two-parter adapted by Doug Moench, whose own flair for purple prose made him an easy fit for the material (‘The night fills with the remote beat of timbrels, the distant clap of hands, the muted shriek of laughing… and the close slap of small feet stamping fog-smothered cobbles… And Brak stands in the midst of it all, cursing the perversity of a city which forces a man to battle children…’).

The other main feature was Ka-Zar, about the Tarzan-like exploits of the titular jungle lord – and his faithful sabretooth tiger – in the Savage Land (Marvel’s hidden territory where dinosaurs still roam). Although not as smart as Mark Waid’s work with the character in the late ‘90s, there was an appealing rawness to the Ka-Zar strip. Scripted by Stan Lee and Gerry Conway, these were unabashed pulp comics where the exaggerated luridness was part of the fun. The key attraction, though, was John Buscema’s – and later Steve Gan’s – stylish art, especially their ability to pull off pulse-pounding action scenes:

Savage Tales #1Savage Tales #1Savage Tales #1

For the most part, Savage Tales had an old-school epic adventure vibe, with the kind of outdated exoticism and earnestness that you could also find in some movies of the previous years (Duccio Tessari’s Secret of the Sphinx or Robert Day’s She), in contrast to the tongue-in-cheek attitude of the later Indiana Jones franchise…

Besides the running strips, the magazine had text pieces, loose short stories, and ‘pilots’ for new concepts. Most notably, the horror character Man-Thing made his debut here before getting his own fascinating series. In turn, Black Brother, a riff on blaxploitation penned by Denny O’Neil (under a pseudonym) – about a badass African politician fighting against neocolonialism! – was never heard from again. Among the short stories, highlights include Len Wein’s and Steve Gan’s amusing ‘Dragonseed’ (starring the aptly named Marok the Merciless), Archie Goodwin’s and Russ Heath’s harsh ‘Intruder!’ (about a Vietnam veteran who stumbles into the Savage Land… and feels disturbingly at home), and Roy Thomas’ and Bernie Wrightson’s haunting adaptation of Howard’s ‘The Skull of Silence.’

To be sure, not all of it has aged smoothly. For one thing, there is a clear leitmotif about affirmative masculinity, perhaps in response to the rise of the women’s rights movement at the time. The campiest expression of this is Stan Lee’s and John Romita’s Femizons, a bizarre Wonder Woman knock-off set in a 23rd century dystopia ruled by women (who own male slaves and reproduce via sperm supplies held in the Temple of Genetics) under the suggestive moto ‘Sexuality! Solidarity! Superiority!’ The result is a cross between a preposterous parody of second wave feminism and an adolescent wet fantasy, not least because of Romita’s cheesecake artwork. (Rather than feel embarrassed by the whole thing, however, editor Roy Thomas actually let Gerry Conway bring the concept back a few years later, on the pages of Fantastic Four #151.)

BLACK HAWK

2000 AD #1302000 AD #130

One of the most interesting aspects of Black Hawk is that it didn’t begin as an outright sci-fi/fantasy comic (although there was an ambiguous supernatural element from the start in the form of a hawk who kept helping the series’ hero). Created by Gerry Finley-Day and Alfonso Azpiri for a British anthology comic called Tornado back in the late 1970s, the series was initially set in the first century A.D. and it followed the exploits of the titular ex-slave-turned-Roman-centurion and his ragtag army of cut-throats, thieves, and lepers.

Black Hawk was a captivatingly brutal adventure yarn, even if it now seems somewhat awkward to have the narration obsessively describe the protagonist as Nubian (which, admittedly, is an important feature of the story). Because Black Hawk’s superiors loathed him, they kept sending him on suicide missions against the Roman Empire’s enemies in Germany, Judea, and Britain, so the hero had to constantly improvise and outsmart his adversaries while also keeping an eye on the untrustworthy auxiliary soldiers he commanded. Finley-Day and Azpiri were a solid team, providing at least one impressive set piece in each installment. And although Black Hawk’s peculiar loyalty to Rome wasn’t fully explored, he was certainly an honorable, charismatic hero, his ambiguous motivations making him especially intriguing.

After more than a dozen installments of ancient battles and historical cameos, however, once the series had firmly found its feet, Black Hawk was suddenly thrown into a whole new direction as the titular warrior was captured by aliens and forced to fight in an off-world arena! The radical genre shift from gripping period piece to bizarre planetary romance was caused by Tornado’s cancelation, in mid-1979. Editorial Assistant Alan Grant agreed to incorporate Black Hawk – one of Tornado’s most popular strips – into the cyberpunk magazine 2000 AD (owned by the same company), taking over writing duties alongside Kelvin Gosnell and signing with an amalgamation of their names: Alvin Gaunt. Given the improvised background of this move – and unlike what happens in Mike Grell’s similarly structured Starslayer – the stories from the Roman era never feel quite like a set-up for what’s to come (if anything, they feel like the set-up for a saga that never took place).

On top of this, the art changed as well, with Italian veteran Massimo Belardinelli replacing Azpiri’s dirty, cluttered Roman Empire with smoother spacescapes, neatly designed technology, and many, many weird-looking aliens. Belardinelli’s penchant for drawing smoky visuals and surreal creatures fit perfectly well with Grant’s throw-everything-at-the-wall style of storytelling (at one point, Black Hawk and his fellow gladiators are attacked by space pirates and escape into a black hole where they have to fight an evil genie!), not to mention his notorious sense of humor…

2000 AD #1332000 AD #133

While the shift in premise and creative team was no doubt preposterous and ultimately cynical, if you read the comic in one sitting (for example, in 2011’s collected edition), there is still a curious thematic identity. The early stories were all about racism and imperial domination: even though Black Hawk joined the Roman army and fought its (also racialized) opponents, he continued to be discriminated because of his ethnicity. Moreover, his willingness to see people beyond the surface often got Black Hawk out of trouble, as he recruited handicapped soldiers who proved their worth in combat (in turn, the one time he accepted two men based on the fact that they shared his skin color, things didn’t work out so well). Despite the change of setting, the later stories kept the focus on race and slavery (the series’ logo continued to feature a metal chain) while cleverly recontextualizing it. Conveying how relative the concept of ‘race’ is, in outer space Black Hawk was no longer discriminated for being African, but for being human.

In both cases, the only way Black Hawk could earn his captors’ begrudging respect was by excelling at physical violence, essentializing him as a kind of savage. Yet, for the most part (i.e. except for the wild storyline in which a creature sucks his soul), he remains willing to bond with the strangest monsters and respect even the most outlandish adversary, whether human or alien. When he finally rebels against the cruel, exploitative intergalactic system that enslaved him, you can almost see Black Hawk finally coming to terms with his own role as servant of the Roman Empire.

ARCHER & ARMSTRONG

(Fred Van Lente’s run)

Archer & ArmstrongArcher & Armstrong (v2) #2

Obadiah Archer is a naïve martial arts expert raised in a creationist amusement park. Armstrong is an immortal warrior who likes to get drunk and recite poetry. In their thrilling, expertly plotted adventures, they keep saving the world from all sorts of sinister cabals, including a satanic Wall Street cult called The One Percent and a nothingness-worshiping cult called The Null (who wish to unmake the universe, turning all reality into a void). Armstrong’s origin harkens back to the Epic of Gilgamesh and, through flashbacks and a healthy dose of time travel, we learn a secret history of the Earth, one where figures such as Aristotle, Michelangelo, and Alan Turing (plus a few more surprising cameos) got involved with underground sects and supernatural conspiracies.

With this 2012 reboot of an old Valiant property, Fred Van Lente proved once again his masterful knack for penning witty sagas that effortlessly mix imaginative fantasy with topical satire. Moreover, in a field dominated by decompressed storytelling, Archer & Armstrong deserves praise for packing each issue with both non-stop action (vigorously conveyed by a host of dynamic artists: Clayton Henry, Emanuela Lupacchino, Pere Pérez, Khari Evans) and plenty of fun ideas, such as the order of ninja nuns (‘nunjas’) you see in the picture above.

Pere Pérez, in particular, proved to be the ideal partner in crime. With inventive layouts and a spotless art style that is pure eye candy, his pages have an exhilarating speed and joy, lending a truly contagious feel to Van Lente’s brand of kinetic farce. Their violent crossover with Bloodshot is a high point of the comic (it’s also more visually memorable than Vin Diesel’s Bloodshot movie earlier this year, even if I appreciate the latter’s meta discourse on action tropes…). Plus, Pérez’s and Van Lente’s work on the Ivar, Timewalker spin-off is somehow even more hectic! (They then brought their combined magic to Marvel, with the Deadpool versus The Punisher mini-series.)

If you are inclined that way, you can read in Fred Van Lente’s run – plus in Ivar, Timewalker and its brilliant follow-up, Vault of Spirits – a commentary on humanity’s compulsion towards intolerant belief systems, in politics as well as religion. The trippiest arc, ‘American Wasteland,’ also delves into our society’s obsession with dead celebrities, simultaneously exploiting the allure of pop culture and denouncing its role as a modern mythology – one with many of the trappings of older mythologies (a point revisited in The Tale of the Green Knight one-shot). This iconoclastic strain gives Van Lente’s work a depth that may not be immediately apparent amongst all the slapstick and violence.

Immortal Brothers: The Tale of the Green KnightImmortal Brothers: The Tale of the Green Knight

Sadly, subsequent writers didn’t do justice to this approach… The worst offense took place in 2016’s Stalinverse event about a hallucinated version of reality in which the Soviet Union took over the world. What could have been a nifty pretext to imaginatively envisage Valiant characters in a socialist setting – like Red Son did for Superman – boiled down to old Cold War stereotypes, its lazy version of communism merely a generic dictatorship colored with recognizable slogans and symbols. One of the few issues to attempt to address ideology – albeit in a clumsy, simplistic way that misses the mark on the USSR’s ambiguous relationship with religion – was the one-shot Escape from Gulag 396 (written by Eliot Rahal), in which Archer helps Armstrong gain faith in God… This could’ve been a provocative way to suggest that oppression can strengthen belief or even a tongue-in-cheek gag about how upside-down the world had become, but the ending comes across as bafflingly irony-free.

To end on a positive note, though, I should point out that, in turn, Jody Houser’s mini-series Faith and the Future Force is a worthy sequel to Ivar, Timewalker, doubling down on the Doctor Who riffs while filling each page with mind-bending concepts through a neat mix of adrenaline and hilarity.

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COMICS CAN BE AWESOME (25 May 2020)

Your weekly reminder that comics can be awesome, Weird Mystery Tales edition…

Weird Mystery TalesWeird War Tales 16Weird War Tales 12Weird Mystery Tales 22Weird War Tales 17

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1990s’ Batman comics reading guide – part 1

BatmanLegends of the Dark Knight #69

I’ve mentioned plenty of times in this blog how one of my favorite eras of Batman comics took place in the 1990s when, under the group editorship of Dennis O’Neil, the various titles in the Gotham corner of the DC Universe developed a tight cross-continuity that really fleshed out the city’s institutions and inhabitants (including the ones who didn’t wear silly costumes). Besides the geeky fun of inhabiting such a strange, fully-formed world, the stories tended to be pretty great. Crucially, while most creators grounded the adventures of the Caped Crusader and his team in a relatively consistent reality, they also unabashedly embraced the material’s original appeal as a vehicle for playful tales about surreal criminals and eccentric crimefighters. Thus, for all the violence and pathos, the result was ultimately boisterous and highly entertaining, in contrast to the grim, self-serious tone of the early 2000s.

With that in mind, I’ve decided to provide a guide for those who want to explore this incredible era, especially as most of these stories are scattered around various unordered DC collections (surely more than the ones I identify below, but hopefully this can serve as a starting point for newcomers). Before outlining an ideal reading order for the 1990s’ then-present day continuity, however, this week I’ll list some of the main comics you may want to check out first, since they are set earlier on and loom heavily in the backstory of the main titles.

batman          Catwoman

YEAR ONE [The post-Crisis on Infinite Earths rebooted version of the first year of Batman’s career.]

Batman #404-407: ‘Batman: Year One’ (collected as Batman: Year One) [Frank Miller’s and David Mazzucchelli’s classic story-arc reimagined the first encounters between Batman, Catwoman, and then-Lieutenant Jim Gordon (who gets promoted to captain at the end).]

Catwoman #1-4: ‘Metamorphosis/Downtown Babylon/Gothic Baptism/Consecration’ (collected as Catwoman: Her Sister’s Keeper) [Catwoman’s expanded origin, by Mindy Newell and J.J. Birch (aka Joe Brozowski), runs parallel to ‘Batman: Year One.’]

Legends of the Dark Knight #1-5: ‘Shaman’ (collected as Shaman) [Also set at the same time as ‘Batman: Year One’]

Shadow of the Bat Annual #3: ‘Year One: Poison Ivy’ (collected in Four of a Kind and in Arkham: Poison Ivy) [Poison Ivy’s debut, set while Gordon is still a lieutenant]

batman venom          Batman Prey

LEGENDS OF THE DARK KNIGHT [No, I’m not including the ‘Batman: Year Two’ arc, which was mercifully ignored by most subsequent creators. Instead, I’ll list most issues of Legends of the Dark Knight from the ’90s, which often took place during Batman’s early years and whose average quality was quite solid (no doubt thanks to the talented editors Andrew Helfer and Archie Goodwin). With constantly rotating creators, this series pushed the franchise’s crime and horror elements in varied, interesting directions as the Caped Crusader dealt with race riots, serial killers, and a handful of mad scientists (including the horny mother of a fascist cyborg). There are other versions of some of these stories (which I will cover in a future post), yet this was the canon used by most 1990s’ comics, not least because many issues were penned by members of the core writing team of Denny O’Neil, Alan Grant, Doug Moench, and Chuck Dixon. In any case, the occasional inconsistencies can be explained away by bearing in mind that these are ‘legends’ – i.e., even if they’re based on actual events, the way these tales are remembered by their protagonists isn’t necessarily accurate in every detail.

In the absence of clear continuity between every arc, I’ll follow the publication order except for when salient aspects provide specific time markers. (This doesn’t apply to Jim Gordon’s hair, which keeps shifting between red and grey – just assume he sometimes dyed it!) If you prefer a strictly chronological sequence of Batman’s life, you can find a detailed one in Collin Colsher’s amazing website The Real Batman Chronology Project.]

Legends of the Dark Knight #50: ‘Images’ (collected in Dark Legends) [Joker’s debut, set not long after ‘Year One’]

The Man of Steel #3: ‘One Night in Gotham City’ (collected in Superman: The Man of Steel and Superman / Batman: The Greatest Stories Ever Told[Batman’s first encounter with Superman]

Legends of the Dark Knight #16-20: ‘Venom’ (collected as Venom) [First appearance of the drug ‘venom,’ later used by Bane. Harvey Dent is still District Attorney. Batman’s and Gordon’s partnership is still relatively shaky.]

Legends of the Dark Knight #58: ‘Storm’ [Jim’s son is still a baby, so I’m placing this one here.]

Batman Annual #14: ‘The Eye of the Beholder’ (collected in Featuring Two-Face and the Riddler, Two-Face: A Celebration of 75 Years, and The Caped Crusader, v3) [Two-Face’s debut]

Legends of the Dark Knight #11-15: ‘Prey’ (collected as Prey) [The debut of Professor Hugo Strange (originally, Batman’s very first arch-nemesis) as well as of the Bat-Signal and the Batmobile. Wilson Klass is Gotham’s mayor.]

Legends of the Dark Knight #6-10: ‘Gothic’ (collected as Gothic) [The Bat-Signal must have been around for a bit. The Batmobile is also sighted.]

Legends of the Dark Knight #41: ‘Sunset’ [In this hilariously preposterous comic, Batman’s inner narration mentions the ‘short months’ he has been doing his thing, which is pretty ambiguous… Since he already has the Batmobile, I’m placing it here.]

Legends of the Dark Knight #42-43: ‘Hothouse’ (collected in Collected Legends of the Dark Knight and Arkham: Poison Ivy) [Poison Ivy’s debut took place ‘last spring,’ but the Bat-Signal and (an improved) Batmobile are already around, so this must take place around here.]

Legends of the Dark Knight Annual #5: ‘Wings’ (collected in Four of a Kind and Arkham: Man-Bat) [Man-Bat’s debut. The first part of the issue (in which Batman creates his Batwings) is set before ‘Prey,’ but the story lasts over a month and the climax should take place somewhere around here, because it features a new (bat-headed) Batmobile.]

Legends of the Dark Knight #21-23: ‘Faith’ [Properly introduces Leslie Thompkins, who had a cameo in ‘Shaman.’ (Although apparently set around here, I think it can work even better if read right before Robin Annual #4, since it finishes with a Dick Grayson cameo.)]

Legends of the Dark Knight #24-26: ‘Flyer’ [This bonkers comic is set eighteen months after Batman’s debut.]

Legends of the Dark Knight #114: ‘Playground’ [Also set eighteen months after Batman’s debut.]

Detective Comics Annual #8: ‘Questions Multiply the Mystery’ (collected in Four of a Kind) [Riddler’s debut (told in flashback). At least the bulk of it must take place before ‘Blades,’ which has a couple of Riddler cameos.]

Legends of the Dark Knight #32-34: ‘Blades’ (collected in Collected Legends of the Dark Knight and Tales of the Batman: Tim Sale)

Legends of the Dark Knight #35-36: ‘Destiny’ (collected in Other Realms)

Legends of the Dark Knight #37: ‘Mercy’

Legends of the Dark Knight Halloween Special: Ghosts (collected in Haunted Knight) [As a rule, I’d say Jeph Loeb’s and Tim Sale’s Halloween tales belong in their own alternate continuity, but this is a nice little introduction to Bruce Wayne’s relation with Lucius Fox. It can also serve as an intro to the Penguin, so it comes before ‘Mask,’ where he has a cameo.]

Legends of the Dark Knight #39-40: Mask’ (collected in Dark Legends)

Legends of the Dark Knight #44-45: ‘Turf’

Legends of the Dark Knight #46-49: ‘Heat’

Batman Annual #19: ‘Year One: Scarecrow – Masters of Fear’ (collected in Four of a Kind and Arkham: Scarecrow) [Scarecrow’s debut. It can be set anytime after ‘Prey,’ but I’m placing it here just because new readers may enjoy recognizing this rogue in the cool prophetic vision drawn by Arthur Ranson in ‘Tao.’ In any case, it definitely comes before ‘The Sleeping,’ where the Scarecrow gets mentioned.]

Legends of the Dark Knight #52-53: ‘Tao’ (collected in Dark Legends and Batman: International)

Legends of the Dark Knight #64: ‘Terminus’

Legends of the Dark Knight #0: ‘Viewpoint’ [This story includes several images from future issues, thus serving both as a promotional preview and as a narrative foreshadowing of what lies ahead.]

Legends of the Dark Knight #65-68: ‘Going Sane’ (collected as Going Sane) [Batman says he has faced the Joker twice already, but we haven’t seen their second confrontation, which apparently left quite an impression on the Clown Prince of Crime… (In my head-canon, it was a version of ‘The Joker’s Five-Way Revenge!‘ with Gordon as captain instead of commissioner.)]

Legends of the Dark Knight #69-70: ‘Criminals’

Legends of the Dark Knight #71-73: ‘Werewolf’ (collected in Batman: Monsters)

Legends of the Dark Knight #74-75: ‘Engines’

Legends of the Dark Knight #76-78: ‘The Sleeping’ (collected in Other Realms)

Legends of the Dark Knight #79: ‘Favorite Things’ (collected in Batman: The Greatest Stories Ever Told)

Legends of the Dark Knight #80-82: ‘Idols’

Legends of the Dark Knight #83-84: ‘Infected’ (collected in Batman: Monsters)

Legends of the Dark Knight #85: ‘Citadel’

Legends of the Dark Knight #86-88: ‘Conspiracy’ (collected as Conspiracy and in Tales of the Batman: J.H. Williams III)

Legends of the Dark Knight #91-93: ‘Freakout’

Legends of the Dark Knight #95-97: ‘Dirty Tricks’

Legends of the Dark Knight #98-99: ‘Steps’

Legends of the Dark Knight Annual #1: ‘I Am a Gun’

Legends of the Dark Knight #102-104: ‘Spook’

Legends of the Dark Knight #105-106: ‘Duty’ [Introduces Sgt. Harvey Bullock.]

Legends of the Dark Knight #107-108: ‘Stalking’

Legends of the Dark Knight #109-111: ‘The Primal Riddle’ (collected in Tales of the Batman: Steve Englehart)

Legends of the Dark Knight #112-113: ‘Shipwreck’

Legends of the Dark Knight #115: ‘The Darkness’

Legends of the Dark Knight #28-30: ‘Faces’ (collected in Batman: Faces) [Opens with Two-Face’s escape and the rest is set two years later, while he’s still on the loose.]

Legends of the Dark Knight #31: ‘Family’ [It has been over three years since Alfred has taken a day off.]


   batgirl year one          Robin

THE CORLORFUL ERA [Although these comics certainly don’t lack tension and hard-hitting action, this intermediary era – organized around the debut of Batman’s first sidekicks – depicts the modern version of the more upbeat, devil-may-care ‘good old days’ to which characters will sometimes allude in the ’90s (even if, metatextually,  their creators are actually referencing the pre-Crisis Silver Age). Again, there are other versions of these stories, but I think these fit in better with 1990s’ continuity.]

Legends of the Dark Knight #159-161: ‘Loyalties’ [Introduces James Gordon’s niece, Barbara, into the picture. (Published in 2002, but it fits nicely around here.)]

Robin Annual #4: ‘The Flying Graysons’ [The debut of the first Robin, Dick Grayson]

Batman Chronicles: The Gauntlet [Several later comics contain callbacks to this story of Robin’s first big test.]

Robin: Year One #1-4 (collected as Robin: Year One and in Batgirl/Robin: Year One) [First clashes with the Mad Hatter, Blockbuster, Killer Moth, Mr. Freeze, and Shrike (published in 2000, but clearly written by Chuck Dixon to fit with his work in the previous decade)]

Batgirl: Year One #1-9 (collected as Batgirl: Year One and in Batgirl/Robin: Year One) [The debut of the first Batgirl, Barbara Gordon, also retroactively introduces Jason Bard, Firefly, and Condiment King. Barbara’s adoptive father, James Gordon, becomes police commissioner.]

Legends of the Dark Knight #38: ‘Legend of the Dark Mite’ (collected in Collected Legends of the Dark Knight) [Introduces Bat-Mite]

Tales of the Demon [This book collects the pre-Crisis tales that introduced Talia and Ra’s al Ghul (as well as Matches Malone). Those comics were such classics that nobody dared remake them in the ‘90s, so they remain an advisable read for anyone interested in Batman’s early encounters with the al Ghul clan (or just for anyone interested in kickass adventure yarns). Completists may first want to check out Detective Comics #405-406, which lead into the first of the stories collected here.]

Detective Comics #484: ‘Assault on Olympus!’ (collected in Tales of the Batman: Don Newton) [Similarly, since there is no post-Crisis tale about the first direct clash between Batman and Zeus, some of you may wish to check out this pre-Crisis version. (Technically, the two characters had an earlier (more indirect) confrontation in the previous issue, but that one is a very pre-Crisis story, while this one can be retrofitted into post-Crisis continuity without great leaps of imagination.)]

Nightwing #101-106: ‘Nightwing: Year One’ (collected as Nightwing: Year One) [Although it came out in 2005, this retconned version of Dick Grayson’s debut as Nightwing and Jason Todd’s debut as the second Robin was done by the same team who did Nightwing in the ‘90s, so it feels ‘truer’ to that series. (Also, there are so many nods to Robin: Year One and Batgirl: Year One that it’s nice to have those fresh in your mind while reading this one.)]

batman faith          Batman

THE DARK ERA [The late 1980s’ depressing tone isn’t quite what we’ll find in the ‘90s, but this era introduces several characters and plot points that will play a role later on. Bear in mind that, if the previous eras were set in some undefined, ‘legendary’ time (with some contradictory aesthetics and technology levels), we are now clearly in the final years of the Cold War. Because the continuity isn’t very tight yet, I’ve mostly separated the comics into blocks, rather than listing every single issue.]

Batman #386-387/Detective Comics #553: ‘Black Mask: Losing Face/The False Face Society of Gotham/Ebon Masquery’ (collected in Arkham: Black Mask) [Although these are pre-Crisis comics, Doug Moench will stick to this origin of Black Mask and Circe when he brings those characters back, in Batman #484-485.]

Batman #393-394: ‘The Dark Rider/At the Heart of Stone’ [The same goes for this pre-Crisis introduction of Dark Rider, who will return in 1995’s ‘Troika’ arc.]

Arkham Asylum: A Serious House on Serious Earth [Grant Morrison’s and Dave McKean’s acclaimed graphic novel feels more like a nightmare than like an in-continuity tale, but it does introduce Amadeus Arkham, whose nephew will take over the titular asylum in the ‘90s. We learn about the institution’s backstory.]

The Killing Joke (collected in DC Universe: The Stories of Alan Moore) [Alan Moore’s and Brian Bolland’s classic tale sets up the Joker’s and Barbara Gordon’s dynamics for years to come.]

The Question #1-36 (collected in a series of volumes, starting with The Question, v1: Zen and Violence) [Although not set in Gotham City, Denny O’Neil’s and Denys Cowan’s cult run introduced a few characters that found their way into Batman comics, like the mechanical genius Harold, who ended up working in the Batcave for much of the ‘90s.]

Detective Comics Annual #1/Green Arrow Annual #1/The Question Annual #1: ‘Fables’ (‘The Monkey Trap/Lesson for a Crab/The Silent Parable;’ the first story (starring Batman) was collected in The Dark Knight Detective, v2) [In this nifty crossover penned by Denny O’Neil and set sometime after The Question #18, Batman meets Lady Shiva. In a similar stunt, O’Neil’s The Question Annual #2 and Green Arrow Annual #2 are also connected (and best read between #30 and #31).]

Cosmic Odyssey #1-4 (collected as Cosmic Odyssey) [A great superhero space adventure by Jim Starlin and Mike Mignola where Batman plays a key role, as do the Gotham-based demonologist Jason Blood and the demon Etrigan (who had been separated in Matt Wagner’s 1987 Demon mini-series).]

Secret Origins #44: ‘The Coming of Clayface/The Tragic Though Amusing History of Clayface II/His Name is Clayface III’ (collected in Arkham: Clayface) [The origins of different characters to go by the name of Clayface.]

Batman #414-430 (the early issues collected in Second Chances, the middle ones in The Caped Crusader, v1, and the later ones in A Death in the Family) [Jim Starlin’s and Jim Aparo’s ultra-gritty run presents the downward spiral of the second Robin, which will remain in the back of Batman’s mind throughout the upcoming decade. In terms of strict continuity, the most significant arcs are ‘Ten Nights of the Beast’ (#417-420, the KGBeast’s debut) and ‘A Death in the Family’ (#426-429, Jason Todd’s death).]

Secret Origins Special #1 (collected in Featuring Two-Face and the Riddler and Whatever Happened to the Caped Crusader?) [The framing device (by Neil Gaiman and Mike Hoffman) for this venture into the origins of the Penguin, Riddler, and Two-Face revolves around the production of a documentary film, set in the aftermath of ‘A Death in the Family’ (because the Joker is still missing).]

Batman #431-435 (collected in The Caped Crusader, v2) [These tales written by James Owsley (now Christopher Priest) and John Byrne, with art by Jim Aparo, feel like neat epilogues to Aparo’s run with Starlin, showcasing Batman’s mood after Robin’s death.]

Batman Annual #13: ‘Faces/Waiting in the Wings’ (collected in The Caped Crusader, v2; ‘Waiting in the Wings’ also in Batman Allies: Alfred Pennyworth) [Also written by Jim Owsley, this issue sets up Two-Face’s latest status quo.]

Detective Comics #583-597, 601-611 (most issues collected in The Dark Knight Detective, v2 & v3 and Legends of the Dark Knight: Norm Breyfogle, v1 & v2) [Alan Grant’s and Norm Breyfogle’s run in Detective Comics includes the debuts of the Ventriloquist/Scarface, Ratcatcher, Corrosive Man, Mortimer Kadaver, Cornelius Stirk, Joe Potato, and Anarky. Breyfogle didn’t draw #595 (part of the larger DC crossover Invasion) and #596-597 (which introduced GCPD detective Stan Kitch). Neither creator was involved in #598-600 (the dispensable ‘Blind Justice’ interlude). Batman operates alone in these stories, so they may be set anytime before, during, or after the other ones on this section, except  for the arc with Etrigan/Jason Blood (‘Tulpa,’ #601-603), explicitly set after Cosmic Odyssey, and the Clayface arc (‘The Mud Pack,’ #604-607), which has to take place after Jason Todd’s death.]

Son of the Demon (collected in Batman: Birth of the Demon) [This controversial graphic novel presents an epic adventure that works as the culmination of the saga depicted in the Tales of the Demon collection.]

The Huntress #1-19 [This 1989 series by Joey Cavalieri and Joe Staton chronicles the rebooted origin of the Huntress that informed the comics of the ‘90s.]

Batman          Huntress

While it’s not set in Gotham City, I also suggest checking out John Ostrander’s, Kim Yale’s, and Luke McDonnell’s Suicide Squad (an awesome adventure series about super-criminals going on risky missions in exchange for penalty reduction, collected in a series of volumes, starting with Suicide Squad, v1: Trial by Fire), which features plenty of guest-appearances by the Dark Knight and his rogues’ gallery. It takes place after The Killing Joke.

Hardcore completists may also be interested in tracking down Alan Grant’s and Mark Pacella’s The Demon strip, which ran in Action Comics Weekly #636-641 and takes place after Detective Comics #601-603. This horror fantasy strip about Etrigan and Jason Blood ended in a cliffhanger which was picked up a year later in a new, largely Gotham-set Demon series (also written by Grant).

Finally, even though it came out later, I’d say the first (and very cool) Batman versus Predator mini-series (collected in paperback) also belongs here, as it probably takes place before the third Robin, Tim Drake, enters the scene.

Part 2 of this series of posts will follow in two weeks!

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